Combining subtractive and FM synthesis can create exciting new sounds by using the best features of both ways to make music. Here’s an easy guide to understanding how these techniques work together.
Layering: Start with subtractive synthesis to create a base sound, then add FM elements. For instance, take a sawtooth wave and add an FM operator that changes the sound at a higher frequency (like an octave up) to make it bright and lively.
Sound Design Steps:
Making Sounds Move: Use modulation envelopes to change the FM index and the cutoff frequency of the subtractive filter over time. This makes sounds that evolve and change. Interestingly, more than 50% of musicians use modulation to create dynamic sounds.
Where to Use This:
By blending subtractive and FM synthesis, you can make rich and complex sounds. This combination helps create unique pieces in modern electronic music. By learning and using these methods, music producers can craft original sound experiences that push creative limits.
Combining subtractive and FM synthesis can create exciting new sounds by using the best features of both ways to make music. Here’s an easy guide to understanding how these techniques work together.
Layering: Start with subtractive synthesis to create a base sound, then add FM elements. For instance, take a sawtooth wave and add an FM operator that changes the sound at a higher frequency (like an octave up) to make it bright and lively.
Sound Design Steps:
Making Sounds Move: Use modulation envelopes to change the FM index and the cutoff frequency of the subtractive filter over time. This makes sounds that evolve and change. Interestingly, more than 50% of musicians use modulation to create dynamic sounds.
Where to Use This:
By blending subtractive and FM synthesis, you can make rich and complex sounds. This combination helps create unique pieces in modern electronic music. By learning and using these methods, music producers can craft original sound experiences that push creative limits.